诱饵
类型：剧情 / 地区：英国 / 年份：2019
主演：西蒙·谢泼德,特里斯坦·斯特罗克,Mary,Woodvine,艾萨克·伍德文,爱德华·罗
导演：马克·詹金
更新：2025-08-15
简介：
康沃尔渔村(⛲)的风(fēng )景明信片田园( )诗误导了人们。虽然过( )去钓鱼(
康沃尔渔村(⛲)的风(fēng )景明信片田园(🍩)诗误导了人们。虽然过(🕰)去钓鱼(🍥)是一种(🎗)养家糊口的方式，但(dàn )如今(jīn )富有的(de )(😧)伦敦游客纷(⏬)纷下山，取(🏇)代了(📼)当地人，当(dāng )地人的生计(jì )因此受到威胁(👁)。史蒂文(wén )和(hé )(🥄)马丁兄(xiōng )(🏐)弟(dì )的关(guān )系(🛺)也很紧张。马丁(🍮)是一(🙁)个没有(yǒu )船的渔夫，因为史蒂文(wén )开(kāi )始用(🌙)它来(lái )为一整天(🌚)的游客(🛑)提供更赚钱的旅游。他们卖掉了这座家庭(🔝)别墅，现在看来(🌞)，最后一(🙀)场(chǎng )战斗是和新主(zhǔ )人在海边的(🧤)停车位(wèi )上(🕙)展开。然而，情(qíng )况很快就失控了(le )，而不仅仅(👣)是因(yīn )为(wéi )(🈁)车(❕)轮(lún )夹(💹)钳(💔)。Bait是一(🚗)种(zhǒng )黑白(😊)，手工(🏻)制作，16毫(háo )米胶片制作的电影。许多关于鱼(yú )、(💿)网、龙(🈺)虾(🤔)、长靴(😙)、绳结和渔篮(lán )的(de )特写镜(jìng )(👵)头(♌)让(ràng )人想起了蒙(🔞)太奇(🚲)景(jǐng )点的理(lǐ )论。对不同(tóng )社(shè )会阶层(🚡)的(de )描述——可以说是(shì )阶级关系(xì )(🎦)——也让人(rén )想起了英(yīng )国电影中的社会(🕺)现实主义(🚤)传(chuán )(🚩)统。然而，最重要的是，在影(yǐng )像中(🔍)不(bú )同层次的(🐌)电影历史参(cān )考文献(xiàn )之下(xià )，当(dāng )前许多政(zhèng )治(🎞)关联正在(zài )等待被发(fā )现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’(🤷)ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
详情
